Use the histogram on the top right to guide your choices. Examine and adjust your exposure.Įxposure adjustments are also fairly simple with a RAW file. This is also an easy way to warm up or cool down a photo that perhaps has an accurate white balance but could benefit from the effects of a warming or cooling filter. The image will change as you adjust the sliders, so it’s easy to see what works for your photo. Use the drop down menu to select a different preset, or use the temperature and tint sliders to make specific adjustments. While it’s always easier to get it right in camera, RAW files make it easy to fix white balance errors. The top two adjust the image’s white balance. On the right-hand side, you’ll see a sidebar with several different sliders. The exact steps and location varies based on what version of the software you have, but they are the same. This is usually either in the form of a drop down menu or a link with a popup window.

Click on the “8 bit” that you see at the bottom of the screen.

Once the file is open, you’ll get the most flexibility by using a 16 bit channel. (If your files don’t open, check the compatibility, you may need to update Adobe Camera RAW, or if an update is unavailable, convert it to a. You should have this program on your computer if you have Photoshop or Lightroom. Use a 16 bit channel.Īdobe Camera Raw is the default program for RAW files. So you find yourself asking what are the most important tools to use? Where do you start? Learn the basics with this quick beginner’s guide explaining how to edit RAW images. There’s a myriad of sliders, drop down menus and tools, it can be somewhat difficult to navigate. Opening a Raw file in Adobe Camera Raw for the first time is rather daunting, to say the least.

In order to really get the most from that digital negative, you’ll have to learn how to process that photo. Taking an image in the RAW format is just the first step. Switching your file format from JPEG to RAW allows the camera to record more detail, but a RAW file without digital post processing is like a film strip without a dark room.

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